12 Trio Sonatas, Op. 1, Sonata IV in G Minor, Talm I, 4: III. Adagio

12 Trio Sonatas, Op. 1, Sonata IV in G Minor, Talm I, 4: III. Adagio by Tomaso Albinoni runs at 66 BPM in the key of G Minor. That Camelot code of 6A makes it easy to find tracks that blend seamlessly with it. Scroll down for the full chord palette, scale breakdown, and raga mapping for this key.

Scale & Notes of G Minor

The G Minor scale is built from these seven notes:

GAA#CDD#F

Its relative key is A# Major (same notes), and its parallel key is G Major. If you're transposing or looking for a vocal-comfortable key, those are the natural neighbours.

Chords in G Minor

The seven diatonic triads in this key — the chord palette most of the song will draw from:

Indian Classical: the Kafi thaat

In Hindustani classical terms, G Minor maps to the Kafi thaat (Western mode: Dorian). Dorian mode — minor scale with a natural 6th. Common in jazz and folk music (Santana, 'So What' by Miles Davis). In Indian music it gives a gentle, romantic character. Traditional listening time: Afternoon to midnight.

If you want to sing or practise in this key, set your tonic (Sa) to G. Ragas built on this thaat:

• Kafi — Pure Dorian — ♭3 and ♭7, natural 2nd and 6th. Romantic, folk-like, seasonal (Holi).
• Pilu — Dorian with chromatic passing notes — very flexible. Light classical, semi-classical (Any time).
• Bhimpalasi — Dorian pentatonic (omits 2nd & 6th). Meditative, longing (Afternoon).
• Bageshri — Dorian with omitted 5th in ascent — intimate, introspective. Romantic, feminine (Late night).
• Patdeep — Dorian with both ♮3 and ♭3 in descent. Tender, seasonal (Afternoon).

Set Tanpura to G →Practise in this key →Find another song's key →

Harmonic mixing (for DJs)

12 Trio Sonatas, Op. 1, Sonata IV in G Minor, Talm I, 4: III. Adagio sits at Camelot 6A. For a smooth harmonic transition, mix it with tracks in 5A, 6B, 7A — adjacent keys on the Camelot wheel that share most of their notes.