Anti-Everything

Anti-Everything by DED runs at 109 BPM in the key of C# Major. That Camelot code of – makes it easy to find tracks that blend seamlessly with it. Scroll down for the full chord palette, scale breakdown, and raga mapping for this key.

Scale & Notes of C# Major

The C# Major scale is built from these seven notes:

C#D#FF#G#A#C

Its relative key is A# Minor (same notes), and its parallel key is C# Minor. If you're transposing or looking for a vocal-comfortable key, those are the natural neighbours.

Chords in C# Major

The seven diatonic triads in this key — the chord palette most of the song will draw from:

Indian Classical: the Todi thaat

In Hindustani classical terms, C# Major maps to the Todi thaat (Western mode: Neapolitan Minor (Todi mode)). One of the most chromatic thaats — ♭2, ♭3, raised 4th (♯4), and ♭6. Equivalent to the Neapolitan Minor scale in Western theory (also called Hungarian Gypsy or Romanian minor). Intensely complex and expressive. Traditional listening time: Late morning (10 am–noon).

If you want to sing or practise in this key, set your tonic (Sa) to C#. Ragas built on this thaat:

• Miyan ki Todi — Full Neapolitan minor — ♭2 ♭3 ♯4 ♭6, the quintessential Todi. Intense pathos, high art.
• Gujari Todi — Neapolitan minor, slightly lighter ornamentation. Tender pathos, emotional.
• Multani — Todi scale with omitted notes in ascent — afternoon variant. Serious, weighty (Afternoon).
• Bilaskhani Todi — Todi ♭7 variant — adds flat 7th for extra darkness. Grief, depth (linked to Tansen legend) (Late night).

Set Tanpura to C# →Practise in this key →Find another song's key →

Harmonic mixing (for DJs)

Anti-Everything sits at Camelot –. For a smooth harmonic transition, mix it with tracks in 2B, 3A, 4B — adjacent keys on the Camelot wheel that share most of their notes.