At 136 BPM, Bacc At It Again by Yella Beezy sits in G# Minor (Camelot –). This tempo and key combination is common in dance and uptempo music. Below are the chords, scale notes, and harmonically compatible keys for mixing or producing in this groove.
Scale & Notes of G# Minor
The G# Minor scale is built from these seven notes:
G#A#BC#D#EF#
Its relative key is B Major (same notes), and its parallel key is G# Major. If you're transposing or looking for a vocal-comfortable key, those are the natural neighbours.
Chords in G# Minor
The seven diatonic triads in this key — the chord palette most of the song will draw from:
| Degree | Chord | Quality |
|---|
| i | G#m | Minor |
| ii° | A#dim | Diminished |
| III | B | Major |
| iv | C#m | Minor |
| v | D#m | Minor |
| VI | E | Major |
| VII | F# | Major |
Indian Classical: the Marwa thaat
In Hindustani classical terms, G# Minor maps to the Marwa thaat (Western mode: Lydian ♭2 (Marwa mode)). Unique to Indian music — the 'Marwa mode.' A ♭2 and raised 4th (♯4) with no perfect 5th in the characteristic phrases. Creates intense tension and yearning. Has no exact Western parallel; closest to a Lydian scale with flat second (Neapolitan Lydian). Traditional listening time: Sunset (5–7 pm).
If you want to sing or practise in this key, set your tonic (Sa) to G#. Ragas built on this thaat:
- Marwa — Lydian ♭2 — ♭2 and ♯4, avoids Pa (5th) — extreme tension. Intense yearning, sunset dread.
- Puriya — Lydian ♭2 with strong ♭2 emphasis — similar to Marwa but sweeter. Romantic longing, twilight.
- Sohini — Lydian ♭2 pentatonic (omits 2nd and 6th). Restless, passionate (Night).
- Lalit — Marwa scale with both ♮4 and ♯4 (double madhyam). Deep meditation, dawn (Pre-dawn).
Set Tanpura to G# →Practise in this key →Find another song's key →
Harmonic mixing (for DJs)
Bacc At It Again sits at Camelot –. For a smooth harmonic transition, mix it with tracks in 12A, 1B, 2A — adjacent keys on the Camelot wheel that share most of their notes.