Quiet Afternoon

Quiet Afternoon by Buddy Terry runs at 122 BPM in the key of G Major. That Camelot code of – makes it easy to find tracks that blend seamlessly with it. Scroll down for the full chord palette, scale breakdown, and raga mapping for this key.

Scale & Notes of G Major

The G Major scale is built from these seven notes:

GABCDEF#

Its relative key is E Minor (same notes), and its parallel key is G Minor. If you're transposing or looking for a vocal-comfortable key, those are the natural neighbours.

Chords in G Major

The seven diatonic triads in this key — the chord palette most of the song will draw from:

Indian Classical: the Kalyan thaat

In Hindustani classical terms, G Major maps to the Kalyan thaat (Western mode: Lydian). The Lydian mode — raised 4th gives a floating, transcendent quality. Western equivalent: F Lydian starting on F. Traditional listening time: Evening (sunset onward).

If you want to sing or practise in this key, set your tonic (Sa) to G. Ragas built on this thaat:

• Yaman — Pure Lydian — all 7 notes, ♯4 throughout. Romantic, serene, spiritual (Early evening).
• Yaman Kalyan — Lydian with occasional ♮4 passing note. Expansive, meditative.
• Kedar — Lydian with both ♮4 and ♯4 (ambiguous 4th). Devotional, tender (Night).
• Hameer — Lydian ♭7 (Lydian Dominant / Overtone scale). Bold, assertive (Late night).
• Kamod — Lydian with omitted 2nd — open, spacious. Playful, joyful (Night).

Set Tanpura to G →Practise in this key →Find another song's key →

Harmonic mixing (for DJs)

Quiet Afternoon sits at Camelot –. For a smooth harmonic transition, mix it with tracks in 8B, 9A, 10B — adjacent keys on the Camelot wheel that share most of their notes.