Key · BPM · Camelot

Shouldn't We Get To Know Each Other First - From ''No Time To Die'' Soundtrack

Hans Zimmer;Matt Dunkley;John Altman

Key
C Minor
BPM
175
Camelot
5A
Open Key
12m

At 175 BPM, Shouldn't We Get To Know Each Other First - From ''No Time To Die'' Soundtrack by Hans Zimmer;Matt Dunkley;John Altman sits in C Minor (Camelot 5A). This tempo and key combination is common in dance and uptempo music. Below are the chords, scale notes, and harmonically compatible keys for mixing or producing in this groove.

Scale & Notes of C Minor

The C Minor scale is built from these seven notes:

CDD#FGG#A#

Its relative key is D# Major (same notes), and its parallel key is C Major. If you're transposing or looking for a vocal-comfortable key, those are the natural neighbours.

Chords in C Minor

The seven diatonic triads in this key — the chord palette most of the song will draw from:

DegreeChordQuality
iCmMinor
ii°DdimDiminished
IIID#Major
ivFmMinor
vGmMinor
VIG#Major
VIIA#Major

Indian Classical: the Kafi thaat

In Hindustani classical terms, C Minor maps to the Kafi thaat (Western mode: Dorian). Dorian mode — minor scale with a natural 6th. Common in jazz and folk music (Santana, 'So What' by Miles Davis). In Indian music it gives a gentle, romantic character. Traditional listening time: Afternoon to midnight.

If you want to sing or practise in this key, set your tonic (Sa) to C. Ragas built on this thaat:

  • KafiPure Dorian — ♭3 and ♭7, natural 2nd and 6th. Romantic, folk-like, seasonal (Holi).
  • PiluDorian with chromatic passing notes — very flexible. Light classical, semi-classical (Any time).
  • BhimpalasiDorian pentatonic (omits 2nd & 6th). Meditative, longing (Afternoon).
  • BageshriDorian with omitted 5th in ascent — intimate, introspective. Romantic, feminine (Late night).
  • PatdeepDorian with both ♮3 and ♭3 in descent. Tender, seasonal (Afternoon).

Set Tanpura to CPractise in this key →Find another song's key →

Harmonic mixing (for DJs)

Shouldn't We Get To Know Each Other First - From ''No Time To Die'' Soundtrack sits at Camelot 5A. For a smooth harmonic transition, mix it with tracks in 4A, 5B, 6A — adjacent keys on the Camelot wheel that share most of their notes.

Want to mix this with another track?

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More songs in C Minor

Explore our full database of C Minor tracks:

More by Hans Zimmer;Matt Dunkley;John Altman

Songs at ~175 BPM

Find tracks with a similar tempo for mixing or practicing.

Open 175 BPM Metronome →

Frequently Asked Questions

What key is Shouldn't We Get To Know Each Other First - From ''No Time To Die'' Soundtrack in?

Shouldn't We Get To Know Each Other First - From ''No Time To Die'' Soundtrack by Hans Zimmer;Matt Dunkley;John Altman is in the key of C Minor (Camelot 5A, Open Key 12m).

What is the BPM of Shouldn't We Get To Know Each Other First - From ''No Time To Die'' Soundtrack?

Shouldn't We Get To Know Each Other First - From ''No Time To Die'' Soundtrack has a tempo of 175 BPM, which falls in the uptempo range.

What is the relative key of C Minor?

The relative key of C Minor is D# Major — it shares the same notes and is harmonically compatible.

Which Camelot keys mix well with Shouldn't We Get To Know Each Other First - From ''No Time To Die'' Soundtrack?

For harmonic mixing, 5A blends smoothly with 4A, 5B, 6A.

Key & tempo data verified from our music database. Found an error? Re-analyse with the Key Finder. Browse all songs on the Song Keys index.