We Fuck with Minorities by Ralphie May runs at 72 BPM in the key of A Major. That Camelot code of 11B makes it easy to find tracks that blend seamlessly with it. Scroll down for the full chord palette, scale breakdown, and raga mapping for this key.
Scale & Notes of A Major
The A Major scale is built from these seven notes:
ABC#DEF#G#
Its relative key is F# Minor (same notes), and its parallel key is A Minor. If you're transposing or looking for a vocal-comfortable key, those are the natural neighbours.
Chords in A Major
The seven diatonic triads in this key — the chord palette most of the song will draw from:
| Degree | Chord | Quality |
|---|
| I | A | Major |
| ii | Bm | Minor |
| iii | C#m | Minor |
| IV | D | Major |
| V | E | Major |
| vi | F#m | Minor |
| vii° | G#dim | Diminished |
Indian Classical: the Khamaj thaat
In Hindustani classical terms, A Major maps to the Khamaj thaat (Western mode: Mixolydian). Mixolydian mode — major scale with a flat 7th. Common in blues, rock, and folk. Earthy, sensuous quality. Traditional listening time: Late evening to night.
If you want to sing or practise in this key, set your tonic (Sa) to A. Ragas built on this thaat:
- Khamaj — Mixolydian with both ♮7 and ♭7 (ascending/descending difference). Sensuous, romantic.
- Des — Mixolydian pentatonic (omits 2nd & 6th). Patriotic, folk-like (Late night).
- Jaijaiwanti — Mixolydian with both ♭3 and ♮3 — complex chromatic tension. Majestic, complex (Midnight).
- Tilak Kamod — Mixolydian with added ♭3 colour notes. Light, amorous (Night).
- Jhinjhoti — Mixolydian ♭3 (between Dorian and Mixolydian). Gentle, devotional (Night).
Set Tanpura to A →Practise in this key →Find another song's key →
Harmonic mixing (for DJs)
We Fuck with Minorities sits at Camelot 11B. For a smooth harmonic transition, mix it with tracks in 10B, 11A, 12B — adjacent keys on the Camelot wheel that share most of their notes.